Once a year, the National Cathedral moves its chairs to the side, and invites photographers in to see the open space. When the strong morning sun shines through the stained glass, it creates reflections in unreally-bright neon colors.
January: New Year’s Day on the Mall
April: Cherry Blossom fireworks
May: WWII Flyover
June: Capital Pride
July: Rehoboth Beach fireworks
August: Montgomery County Fair
September: Art All Night
October: Adams Morgan Porchfest
November: The Renwick reopens
December: The Museum of Feelings (NYC)
Five light installations are on view in Georgetown for the holidays.
“A Happy Place” projections by Kelly Towles are in an office courtyard:
“The Lovers”, by Arthur Gallice and Herve Orgeas, are hung from the Wisconsin Avenue bridge. The two bottom figures are the reflection in the canal.
iGlow, a light corridor by Hijac, is in a churchyard.
Shifting Gaze, a film by Laia Cabrera, is projected on the stone walls by the canal:
Intr(e)Scapes, by SHO + ULR, is an interactive installation of grass-like acrylic stalks.
The USS Barry has been a prominent sight on the Anacostia River for the last 31 years, but it is soon to be turned into scrap. That’s because it is becoming land-locked once construction starts on the replacement for the nearby Frederick Douglass Bridge. The current bridge has a swing span that will open to let tall ships out, but the new bridge will be just 50 feet tall, and the USS Barry is 150 feet tall. It can’t just be left to rot where it is, and keeping it repaired isn’t possible without being able to haul it to a shipyard.
The USS Barry was active between 1954 and 1982, serving in both the Atlantic and Pacific fleets, and being part of the blockade in the Cuban Missile Crisis. The USS Barry was one of 18 Forrest Sherman class destroyers manufactured. Three of them remain as museum ships; the others were sunk in training exercises or turned into scrap.
Here are some photos of the U.S.S. Barry taken in the late afternoon a couple of weeks ago:
The Museum of Feelings is an awesome pop-up museum for the holiday season in New York City. It’s a promotional event for Glade, with five rooms with different technologies representing different associated smells.
After a brief orientation by one of the guides, you go into the first room. It is dark except for a couple of prisms, and you are given a holographic sheet which when held up to the prisms reflects all across the room.
The next room is a jungle of green light strands.
In the third room, it is completely black except for the circles of light around your feet. Each person automatically gets a different circle around their feet when they first step into the room, and their own circle remains with them as they move and dance around the room.
The last room is called the “cloud room,” and it is an immersion in purple. The air is filled with purple, but it does not appear to be either mist nor fog nor powder, since there is no residue.
The outside of the museum is a small pop-up building near Brookfield Place. It is lit in a color that reflects the “feelings” of New Yorkers, through a textual analysis of the social media feeds.
Catharsis on the Mall: A Vigil for Healing the Drug War was a two-day ceremony on the grounds of the Washington Monument. The highlight was the burning of the Temple of Essence.
The temple was the work of Michael Verdon. Here is how the temple looked when it was finished and getting ready to be burned:
On the temple were LED lights which blinked at the rate of drug arrests in the U.S. Here is the top of the temple, against an early-rising moon:
The sides and inside of the temple were decorated by people who had been harmed in the drug wars
To start the ceremony of burning, fire dancers performed:
The temple quickly went up in flames when it was lit
As the temple burned, the sides fell down, revealing some of the words that had been written on the walls:
After the outside walls fell down, the inside revealed a symbolic jail cell:
As the temple burned to the ground, it set up flames of sparks which lit the Washington Monument.
The new National Museum of African American History and Culture had its first event last night. Commemorate and Celebrate Freedom was a ceremony to kick off the countdown to the museum’s opening next fall.
The view of the building was partially blocked by the construction equipment and the grandstand for the invited guests for the ceremony, but the projections were still amazingly powerful, and surprising how well the projections worked on the copper lattice panels. The crowd enjoyed the view from the hillside outside of the construction enclosure.
The video projection was created by Quixotic Entertainment collaborating with documentary filmmaker Stanley J. Nelson. Prior to the video projection, there were speeches by the museum director Lonnie Bunch III, Mayor Muriel Bowser, and delegate Eleanor Holmes Norton, plus singing by Bebe Winans and other music and poetry readings. Here is Muriel Bowser projected on one of the large video screens:
After two years of renovations, the Renwick has re-opened with an amazing new show. Called WONDERS, the show has nine site-specific works that each fill an entire room of the gallery.